WILLIAM CORCORAN
Author of "The Death
Ride,” “Muscle Man,” “The Dark Brotherhood, " etc.
IT is several years now since
I first began this pleasant if exacting process of conjuring with print and
paper known as the art of fiction. In that time most of my stories have been
placed in two settings very familiar to me, the great West and the city
underworld, and for some strange reason I have never written a line about the
environment from which I sprang, where a thousand thrilling stories remain
untold.
They are the legends of the
anthracite country, where armies of men contend daily with fire and flood and
asphyxiation far beneath the earth. Those are men who regard physical courage
as too fundamental to be discussed or especially admired. I have listened on a
winter's evening to quietly told tales of a heroism more dramatic than any I
have spun from imagination, and some of them are family sagas. Yet I do not
write them—nor does anyone else, as far as I know. There is probably a reason,
but it escapes me.
I was born in the first year
of the century in a little town called Parsons in Pennsylvania’s lovely Wyoming
Valley, where occurred, long ago, the bloody Indian raid known as the Wyoming
Massacre. This is in the heart of the anthracite country. My schooling began
there and ended in New York City when I abandoned formal education in 1918 in
favor of a much more diverting war, which disappointed me sorely by coming to
an abrupt end before I could participate. I then chose a job in preference to
college.
Informally, of course, the
process of education has never ceased, for the world is much too fascinating a
place to be left unexplored and to no one else as to a free-lance writer is
given the opportunity for research and travel. Of this opportunity I have
availed myself of a goodly share.
In the course of the past
twenty years, beginning long before I sold my first story, I managed to visit
eight countries, sail on both our oceans, and acquaint myself, in addition to
foreign capitals, with most of the large cities of the United States. I first
saw the West very early, and am glad to have known it before the coming of the
Ford, the movie, and the airplane. The greater part of the past decade,
excluding minor excursions about the country, has been spent in New York. Here
I have anchored my portable hearthstone, and here is my workshop.
I happened upon my choice of
career as most of my craft seem to have done. I was writing tall tales for the
edification of a small circle of readers back in boarding school days. Nothing
else was ever very important, except for the necessity of earning a living at
the moment.
I drove a taxicab in New York
for one whole year, and on that experience have based many stories. I was an
investigator for a nationally known agency for several months, and got another
slant on life with the lid off. At odd times I drew pay for my labors in a
stone quarry, a broker's office, a shipyard, a department store, a mountain
road gang, a bookshop, a sheet metal plant. My last post was as editor of a
famous old magazine.
I have been selling an
occasional story written in spare time, and a few years ago I abandoned editing
to launch forth as a free-lance. It was a rash but irresistible adventure, and
one on which a happy measure of success has been bestowed. I am content—and
pray assiduously that it is a contentment long to be shared by the editors who
so generously favor me with checks in return for my endeavors to cover as much
white paper as possible with rows of little black marks.
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