I had read the Father Brown stories earlier but never followed up to find more stories by Chesterton. A recent purchase of a bound volume of the British pulp The Story-Teller with some Chesterton stories changed that. Those stories were later collected under the title Tales of the Long Bow, on the cover of which Chesterton is pictured laughing, and the spine has a picture of a man wearing a cabbage as a hat. These stories combine Chesterton’s philosophical urges with a good dose of whimsical and humorous story-telling.
British first edition dustjacket of Tales of the Long Bow |
The first story in the collection tells you why Colonel Crane came to be wearing such unique headwear. The Unpresentable Appearance of Colonel Crane begins with Colonel Crane, a pre-World War 1 soldier, wearing a cabbage hat as he walks to Sunday Church in his village. Not a single churchgoer feels up to asking the Colonel the reason for his change of hat, and the Colonel doesn’t volunteer any information. The mystery is cleared up the next day at lunch. Light-hearted whimsical fun. But it won’t stay that way.
With The Improbable Success of Mr. Owen Hood,
Chesterton lets loose a salvo against industrialization and the corrupt
conjunction of business and politics. A new factory has polluted a river,
leaving a visibly oily film on top. When the titular Hood asks the business to explain
this, the hearing is farcical. The British capitalist behind the factory, the
factory manager, a professor who is an expert witness on pollution and the
local medical inspector are ranged against Hood. The conversation between them
is delicious and rings true even today.
Then it was that Professor Hake
explained the theory of the Protective Screen. Even if it were possible, he
said, for some thin film of petrol to appear on the water, as it would not mix
with the water the latter would actually be kept in a clearer condition. It
would act, as it were, as a Cap; as does the gelatinous Cap upon certain
preserved foods.
"That is a very interesting
view," observed Hood; "I suppose you will write another book about
that?"
"I think we are all the
more privileged," remarked Bliss, "in hearing of the discovery in
this personal fashion, before our expert has laid it before the public."
"Yes," said Hood,
"your expert is very expert, isn't he— in writing books?"
Sir Samuel Bliss stiffened in
all his bristles. "I trust," he said, "you are not implying any
doubt that our expert is an expert."
"I have no doubt of your
expert," answered Hood gravely. "I do not doubt either that he is
expert or that he is yours."
For my money, this is the best story in the collection. It
culminates with a Saki like ending, as Hood takes out a torchlight procession,
ostensibly to support the candidacy of the medical inspector for parliament,
and ends up setting the river on fire. This is the bet that Colonel Crane lost
and led to him wearing a cabbage as a hat.
The Unobtrusive Traffic of Captain Pierce introduces
American capitalist Enoch B. Oates and Captain Pierce of the British Flying
Corps. Colonel Crane and Hood are lunching on eggs and bacon at the village inn
when they learn that new regulations forbid locally raising pigs and their meal
may soon be a thing of the past. You know from the outset that this is a bad
idea; Chesterton’s English countrymen are generally docile and might grumble at
new regulations in general, but if you threaten their eggs, bacon, bangers and
mash, fish and chips or beer you’re in for a fight.
Captain Pierce, who loves the inn-keeper’s daughter, fights
the regulations with high-profile publicity stunts, the kind of stuff that you
would share and laugh at on social media today. One of those stunts is putting
parachutes on pigs and landing them in the country, thus disproving the old saw
that pigs can’t fly. These stunts are, of course, ineffective in swaying
officialdom, but the new regulations are withdrawn at the end of the story and
romance triumphs.
The Elusive Companion of Parson White sees
authorities forbidding menageries and breaking them up, leaving one particular
animal in the hands of Parson White, an eccentric priest who manages to stir up
the countryside. I found this tale rather weak and you can skip it without
losing much.
The Exclusive Luxury of Enoch Oates sees the return
of Oates the American capitalist. Originally thought to be inimical to
Chesterton’s conception of the ideal British way of life, Oates turns out to be
an eccentric yet successful businessman who conceives a process to make silk
from pig ears, and then turns that silk into purses that sell across the world,
disproving the old adage that you can't make a silk purse out of a sow's ear.
Having discovered Oates’ eccentricity, Colonel Crane and his merry men take him
into their fold. The Unthinkable Theory of Professor Green is a rather
muddled story, more romance than whimsy; Chesterton uses it to introduce the
eccentric scientist Green into Crane’s band. Green will be needed later.
The Architecture of Commander Blair is well-written.
Oates the eccentric American capitalist decides to hand over the land he
purchased in the English countryside to his tenants. A most worthy and noble idea,
and one immediately opposed by the existing landowners who are terrified of
what will happen to their estates. The Prime Minister, taking the side of the
rich landowners, proposes to nationalize all their lands. Then he explains
that, except for Oates’ estate, which will be reassigned to other management,
the estates will be returned to the management of their current owners, who
will be compensated twice. Once for the takeover of their estates, and later in
salaries and expenses for the management of the estates.
"It really looks as if he
were right in calling it too late," said Lord Normantowers bitterly.
"I can't think of anything to be done."
"I can," said the
Prime Minister. They all looked at him; but none of them could read the indecipherable
subtleties in his old and wrinkled face under his youthful yellow hair.
…
"The time has come,"
said the Prime Minister, "to Nationalize the Land."
Sir Horace Hunter rose from his
chair, opened his mouth, shut it, and sat down again, all with what he himself
might have called a reflex action.
"But that is
Socialism!" cried Lord Normantowers, his eyes standing out of his head.
…
"Well, all I can say
is—" began Normantowers explosively.
…
"Compensation, there will
be compensation, of course," said the Prime Minister soothingly; "a
great deal can be done with compensation. If you will all turn up here this day
week, say at four o'clock, I think I can lay all the plans before you."
…
He paused, as if for cheers, and
Sir Horace was vaguely irritated into saying: "But look here, my
castle—"
"Damn it all!" said
the Prime Minister, with his first flash of impatience and sincerity.
"Can't you see you'll get twice as much as before? First you'll be
compensated for losing your castle, and then you'll be paid for keeping
it."
Now is the time for, in Chesterton’s world, the non-workers
and workers of the world to unite and rise against the oppression of the rich.
The first symbolic gesture is to create a floating castle and deny the Prime
Minister an opportunity to take it over, since it is not on the land. This is
the first shot in the war to follow.
The Ultimate Ultimatum of the League of the Long Bow
is the culmination of the gradual revelation of political corruption and
immoral behavior of the rich landowners and capitalists. As the Prime
Minister’s plan is revealed, Colonel Crane incites rebellion in the countryside
and causes chaos by cutting off the supply of food to the cities. The chaos foments
urban discontent against the government, who respond by setting the army
against the rebels. What follows is written in the form of a history lesson.
The inexplicable and indeed
incredible conclusion of the story was due to a new fact; the fact of the
actual presence of the new peasantry. They had first come into complete
possession of their new farms, by the deed of gift signed by Enoch Oates in the
February of 19— and had thus been settled on the land a great many years when
Lord Eden and his Cabinet finally committed themselves to the scheme of Land Nationalization
by which their homesteads were to pass into official control. That curious and
inexplicable thing, the spirit of the peasant, had made great strides in the
interval. It was found that the Government could not move such people about
from place to place, as it is possible to do with the urban poor in the
reconstruction of streets or the destruction of slums. It was not a thing like
moving pawns, but a thing like pulling up plants; and plants that had already
struck their roots very deep. In short, the Government, which had already
adopted a policy commonly called Socialist from motives that were in fact very
conservative, found itself confronted with the same peasant resistance as
brought the Bolshevist Government in Russia to a standstill. And when Lord Eden
and his Cabinet put in motion the whole modern machinery of militarism and
coercion to crush the little experiment, he found himself confronted with a
rural rising such as has not been known in England since the Middle Ages.
This series has some good stories but doesn’t work for me as
a whole. While the problems Chesterton highlights are real, and his proposed
solution (distributism) might even work, the method of bridging the two is an
airy confection of sugar which crumbles when you look at it. Having said
that, Chesterton’s writing is excellent at times and I will be looking out for
more stories from him.
A paperback edition of these stories is available from Stratus.
Search for "The Club of Queer Trades", you will enjoy. A very different kind of detective stories.
ReplyDeleteThanks for the suggestion.
DeleteIf you enjoy poetry, read Chesterton's poem "Lepanto".
ReplyDelete