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Showing posts with label Review. Show all posts
Showing posts with label Review. Show all posts

Saturday, 18 July 2020

REVIEW: Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine

Daisy Bacon at work in her office in the Street and Smith Building
Daisy Bacon at work in her office in the Street and Smith Building

Among the pulp genres, the love pulps are the ones with the highest circulations and the least discussion. This has been true for a long time. The early pulp fanzines I've seen were from the 1930s, Fantasy Fan and Phantagraph among them, and they focused on science fiction/fantasy. Later pulp fanzines covered the works of Edgar Rice Burroughs, The Burroughs Bulletin being the most prominent among them; the hero pulps, of which Bronze Shadows might have been the first; and a few focused on Frederick Faust/Max Brand. In the 1970s and 1980sThe Pulp Era, Xenophile and Echoes were also slanted toward science fiction/fantasy and the hero pulps. Detective and mystery fandom had their own zines, but discussion of the pulp era stories was limited. Very few people actively collected, and even fewer read the pulps - Black Mask, Dime Detective, Clues - that we now collect avidly.
Love, adventure, westerns, sports, aviation - the pulps that actually sold the most, were the least discussed. And while the rest had at least some discussion, there was nothing I'm aware of written on the love pulps other than Daisy Bacon's guide to writing for the love pulps - Love Story Writer. When i read it a few years ago, I was struck by how similar her guidelines were to those I've seen for the other pulps targeted at adults, regardless of genre. But enough of my musings. Why should you read this book? Laurie tells it better than i could:
Because the woman in question, Daisy Sarah Bacon, was an editor whose magazine, Love Story Magazine, probably touched more women during her twenty-year career than any other woman of her generation. Her influence was felt far and wide by a group of readers who suffered silently through the Great Depression, who had very little leisure time on their hands, and whose only source of entertainment was the family radio, an occasional movie, and reading pulp fiction magazines that sold for a dime or fifteen cents.
Daisy was the defender of the "modern girl." She told them it was okay to work and be married. She presented the possibility that they could even make more money than their husband. She told them that they could have it all but, in no uncertain words, they needed to buck up and not wait for a man to hand it to them. She was what one journalist called a "violent, vociferous feminist," decades before the term "feminist" even became part of the common lexicon.
...
Queen of the Pulps: The Reign of Daisy Bacon and Love Story Magazine is the story of Daisy as the editor of that magazine from 1928 until 1947. Under her management, Love Story Magazine hit a rumored circulation of 600,000 copies a week in the late 1920S and early 193os, a record never surpassed by any other pulp fiction magazine. Under her guidance, Love Story became the go-to magazine for hundreds of thousands of readers every single week for almost twenty years. Love Story's success ushered in a wave of imitators that fueled the red-hot romance magazine industry that began in the 192os and didn't die away until the 195os.
Daisy wasn't the editor of just Love Story Magazine. Over her twenty-three career at Street & Smith, she was manager of seven other periodicals, some of which were the most storied icons to emerge from the pulp fiction phenomenon. Some were under her management for their entire runs: Real Love, Ainslee's Smart Love Stories, and Pocket Love. For others, she replaced their previous editors: Romantic Range, Detective Story Magazine, The Shadow, and Doc Savage magazines during their last years as pulp fiction magazines.
In telling Daisy's story, Laurie has done a superb job. I am in awe of how much research must have gone into this book. Lucid writing and excellent photos tell a family history that's funny and poignant by turns. With the contextualization of place and time (Street and Smith's offices, the linotype machines) it all comes together into a beautiful journey through a successful and eventually embittered, semi-monastic life.
Don't run out and buy this book; it's much easier and safer to order it online from Amazon or Barnes and Noble. And while i enjoyed the book, it didn't turn me into a love pulp collector. But it did turn me into a Laurie Powers collector. We will have our own convention someday :-)

Saturday, 23 June 2018

Art of the Pulps wins Locus award

The book, which i reviewed earlier, has won the Locus award for 2018 in the best art book category. Congratulations on a well deserved win for the editors - Doug Ellis and the late Robert Weinberg and their team of all-star contributors.

My signed copy of the Art of the Pulps - a great book, and one you should buy if you haven't already
My signed copy of The Art of the Pulps - a great book, and one you should buy if you haven't already



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Monday, 13 November 2017

Review: Art of the pulps


Beautiful art - a retro blast from the past



This book takes readers back to an era without television or radio, when magazine covers featured original art designed to lure readers into picking up and buying them. From the early 1900s to the early 1950s, pulp magazines were the popular entertainment media of choice for millions of readers across the English speaking world.They were published in America and to a lesser extent, in Canada and the United Kingdom and read across the world, reaching as far as Australia and South Africa. Some were even translated into French and Spanish.

The pulp magazines were the medium through which a variety of genres established themselves - science fiction, fantasy and hardboiled detective among them. They brought a range of authors and memorable characters from Edgar Rice Burroughs (Tarzan), Johnston McCulley (Zorro), Lester Dent (Doc Savage), H. P. Lovecraft (Cthulu), Robert E. Howard (Conan, Solomon Kane, Kull) and Dashiell Hammett (The Continental Op, Sam Spade) to readers. And they sold this with covers that made you want to pick them up, and interior illustrations that drew the reader deeper into the stories, till you bought and took them home.

This book surveys the pulp magazine field, taking us on a journey from the early days of the field in the 1900s when there a few general fiction magazines, to the end in the 1950s, when paperbacks and television replaced the pulps. All the major genres - adventure, detective/mystery, westerns, aviation, sports, love/romance, horror, science fiction, hero pulps (predecessors of the comics) and spicys - are covered. It's rounded off with a couple of essays on two great artists and authors. Each section's essay comes from an expert in the field, and all are published writers, so they know how to tell the tale. 

But you're not buying this book for the essays - excellent though they are - the art is the reason to buy this book.The book is printed on glossy paper, and the scans are from original issues in the personal collections of the authors. Each chapter is about 20% text and 80% art; with 12 chapters and about 240 pages it's almost 200 pages of gorgeous art for your money. A few sample pages below (some pages are cropped because my scanner isn't big enough):

Adventure

Aviation

Mystery/Detective

Hero

Horror

Romance

Science Fiction/Fantasy

Spicy

Sports

Weird Menace
Western


If you like illustration art, you have to pick this up. Link here: http://amzn.to/2iSHMjy 


Saturday, 4 June 2016

Review of Adventure - January 1, 1928



[Inspired by a post on James Reasoner's blog]

Adventure, January 1, 1928 - Cover illustration by Remington Schuyler
Adventure, January 1, 1928 - Cover illustration by Remington Schuyler
 
An issue after Arthur S. Hoffman had left, but at least some of the stories must have been selected by him earlier. Cover by Remington Schuyler with interior illustrations by Ralph Nelson.

Saturday, 28 May 2016

Review of Adventure – March, 1940




Inspired by a post on James Reasoner’s Rough Edges blog. Cover by Wesley Neff, interior illustrations by multiple illustrators.



Adventure, March 1940 - cover illustration by Wesley Neff
Adventure, March 1940 - cover illustration by Wesley Neff


Saturday, 21 May 2016

Adventure - Review of May 15, 1933 issue


[Inspired by a post on True Pulp Fiction]


Adventure, May 15, 1933 - cover illustration






Cover illustration by Walter Whitehead (not for any particular story, the signpost says Gretna Green) and interior artwork by Neil O’Keeffe. This was an issue that had only 96 pages, a big drop from the 192 pages in the 1918-1927 peak of Adventure. But still worth reading with a couple of great stories from Richard Wetjen and Harold Lamb. 

Saturday, 26 March 2016

Adventure March 20, 1923 - issue review




Inspired by a post on the True Pulp Fiction blog, here's my review of the March 20, 1923 issue of Adventure magazine.

Adventure March 20, 1923
Adventure March 20, 1923

Cover by James C. McKell, headings by Virgil E. Pyles.
How the heck that guy got into that tight fitting shirt with no buttons, i'll never know.

Saturday, 19 March 2016

Adventure, March 15, 1928 issue review


Adventure, March 15, 1928
Adventure, March 15, 1928


Inspired by a post on the True Pulp Fiction blog:

A beautiful cover from D. Cammerrota, an artist about whom i could find almost nothing beyond the fact that he? (The first name D is spelled Dominic, Dominice, Dominick in different places) graduated from the Philadelphia School of Art in 1923.

Interior illustrations are by John R. Neill, the illustrator of many Oz stories.

I'm posting the headings and first few lines of the stories with ratings and brief reviews.

Saturday, 5 March 2016

Adventure, March 1 1932 - A review

   [Inspired by a post on the True Pulp Fiction blog, I read this issue and posted a review. The 1/- sticker on my copy indicates that this issue went from the US to the UK at one time, and it found it's way back and finally reached me.]

A great cover from Gerard C. Delano, and interior headings by Harry Townsend

Saturday, 29 August 2015

Adventure, July 1952 - review

Review of one of the last issues of Adventure, this issue was quite undistinguished and I just happened to pick it because it was at the top of the pile. Ratings for each story at the end on a 5 point scale.

Adventure - July, 1952
Adventure - July, 1952

Cover by Monroe Eisenberg, the cover has nothing to do with any story inside as far as I can make out.

Saturday, 25 July 2015

Issue Review: Argosy, 12 November 1932


Argosy November 12, 1932
Argosy November 12, 1932


I recently acquired a good run of Argosy in the 1930s, and plan to work through them over time. I'll post my notes here as I work through individual issues. I only plan to post reviews of serials that begin in the issue. It's difficult to review a serial instalment on its own, and most of the time you only need to decide if the serial is worth reading or not, so I'll review the complete serial in the issue it begins in.

If you have read this issue, let me know what you think.

Friday, 17 January 2014

Friday’s Forgotten Books: The Best of Adventure, vol. 1, 1910-1912




This book collects the best stories from the first three years of publication of Adventure magazine, a pulp magazine that was considered one of the best pulp magazines. In this review, I’ll focus only on the highlights, which are reason enough to buy the book in my opinion.

The Soul of a Regiment – This story by Talbot Mundy might be offensive to modern sensibilities; it is a story of colonial spirit and the white man’s burden. It can also be read as a story of a man striving to meet his ideals. Sergeant Billy Grogram takes a bunch of ragtag recruits, gives them a sense of pride and creates the idea of the honor of a regiment in their minds.

Brethren of the Beach – This novelette by H.D. Couzens is the highlight of the collection for me. A gang of assorted rejects from society plan to plunder an untouched oyster reef before the owner comes to mine it. They find a treasure in pearls but their greed and lack of trust in each other lead to betrayal.

His present life filled him with disgust. …

What lay hidden in the corruption of the pearl-shell was at present problematical. Divided among six, with a share for the Kanakas, it might mean much or be a mere trifle. At least his share would be a nest-egg to be put to some use. His companions, he knew, would use theirs in carousals at the first port they drifted to, but he was done for good with this side of life.

Many thousand similar resolutions have been breathed to the stars of the tropic night or the crooning surf by men on island beaches writhing in an anguish of self-pity or remorse, to be forgotten with the first fair wind of tomorrow.


Another reviewer has compared this story to the Treasure of the Sierra Madre, but I think the noir heist movies of the 1940s and 50s (Rififi, The Killing) are closer to this story in spirit. I felt somewhat let down by the unexpectedly happy ending for the hero.

A Pair of Mules – Nevil G. Henshaw wrote stories of the Louisiana bayous and the Cajuns living along it – his stories have plenty of local color, but what stands out for me is the strong characterizations of the people. I have read some of his other stories in Outing Magazine, and wish someone would put out a collection of them.

A social outcast dreams of owning a farm, and his mules are key to farming the land. When an outbreak of infectious disease causes the villagers to destroy his mules, he sees his dreams shattered and decides to avenge himself on the village. But before he completes his revenge, he sees something …

Juban shook his head. He was a huge, hairy-looking wild man, brown and strong from his life in the open, and bearing himself with the quiet alertness of one who has made his living from his gun. In his face alone was none of the keen watchfulness of the hunter. Here there was only a dazed look of misery

The Mate’s Log – Arthur Somers Roche sets a story of doom in the Sargasso sea. In the real world, the Sargasso sea is a place with some seaweed and little wind. The Sargasso sea in the story is a morass of weed that sucks in ships and, in this case, lures a crew of greedy men hunting for treasure to their doom.

The other stories I enjoyed include "The Plot of Signor Salvi" by Marion Polk Angellotti and "The White Queen of Sandakan" by James Francis Dwyer.

Now for some criticism: The detective story "31 New Inn" by R. Austin Freeman felt out of place in this collection of adventure stories and could perhaps have been left out to make room for some other stories. For each story, the illustration should have been included.

These are minor quibbles, however, and with 7 sea stories, 4 westerns, 6 non-genre and 2 Middle East stories, there is something for every lover of adventure fiction in this book. This is an excellent collection of short fiction, and I wished it wouldn’t end.
 


 
For reference, the contents are given below:




Title

Genre

Author

“The Outriders”

Poem

H. Bedford Jones

"The Soul of a Regiment"

General

Talbot Mundy

"The Luck of the Annie Crosby"

Sea Stories

Frederick William Wallace

"A Soft Answer From the Kid"

Western

Willett Stockard

"Brethren of the Beach"

Sea Stories

H.D. Couzens

"The Pretender"

Swashbuckler

Rafael Sabatini

"A Pair of Mules"

General

Nevil G. Henshaw

"The Mate's Log"

Sea Stories

Arthur Somers Roche

"The Pied Piper, Junior"

General

Damon Runyon

"From the Book of Fate"

Middle East

George E. Holt

"The Preacher and the Gun-Man"

Western

Hapsburg Liebe

"The Master"

Sea Stories

George Buchanan Fife

"The Plot of Signor Salvi"

Swashbuckler

Marion Polk Angellotti

"The Hate of Ismail Bey"

Middle East

Bertram Atkey

"The White Queen of Sandakan"

General

James F. Dwyer

"McQuinn, Sheriff"

Western

William Tillinghast Eldridge

"The Albatross"

Sea Stories

William Hope Hodgson

"The Rug of Imam"

Middle East

Adele M. Donovan

"31 New Inn"

Detective

R. Austin Freeman

"Two On Trinity"

Sea Stories

Frank Lillie Pollock

"That Prodigious Postscript"

Western

John Lewis

"The Bravery of Bertie McDodd"

General

George B. Seitz

"Captain Curlew's Atonement"

Swashbuckler

C. Langton Clarke

"The Final Average"

Sea Stories

Frank L. Packard

"The End"

General

Stephen Allen Reynolds

"Adventure"

Poem

H. Bedford Jones